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Worthy of Mention

  • Spoon -

    Spoon: Girls Can Tell
    This is a great, understated album that merits repeated plays. Spoon have made a literate, rocking, breakthrough record that occupies a funny place--the songs are not unconventional, per se, yet they're somehow really special. Girls Can Tell displays the emotional resonance and big rock power of, say, Thin Lizzy and Mott the Hoople; the sonically referential, indie-rock smarts of a band like Versus; and amazing hooks that recall Colin Blunstone of the Zombies. Like Jennyanykind, Moviola, and the Lilys, this Austin, Texas, trio has chosen to work on perfecting their craft without paying much heed to mainstream or trends. In spite of (but mostly because of) wrenching breakup-centered lyrical material delivered in a very real, matter-of-fact way, Girls Can Tell is one of those life-affirming pop albums you know you'll return to in years to come. --Mike McGonigal (*****)

Books

  • Michael Hardt: Multitude: War and Democracy in the Age of Empire

    Michael Hardt: Multitude: War and Democracy in the Age of Empire
    Empire (2000)—the surprise hit that made its term for U.S global hegemony stick and presciently set the agenda for post–9/11 political theory on the left—was written by this same somewhat unlikely duo: Hardt, an American political scientist at Duke University, and Negri, a former Italian parliament member and political exile, trained political scientist and sometime inmate of Rome's Rebibbia prison. This book follows up on Empire's promise of imagining a full-blown global democracy. Though the authors admit that they can't provide the final means for bringing that entity about (or the forms for maintaining it), the book is rich in ideas and agitational ends. The "multitude" is Hardt and Negri's term for the earth's six billion increasingly networked citizens, an enormous potential force for "the destruction of sovereignty in favor of democracy." The middle section on the nature of that multitude is bookended by two others. The first describes the situation in which the multitude finds itself: "permanent war." The last grounds demands for and historical precursors of global democracy. Written for activists to provide a solid goal (with digressions into history and theory) toward which protest actions might move, this timely book brings together myriad loose strands of far left thinking with clarity, measured reasoning and humor, major accomplishments in and of themselves. (****)

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Wednesday, November 16, 2005

"Los Angeles Is Detroit With Palm Trees" --Elmore Leonard

Detroit
Detroit and Los Angeles may currently be neck and neck for the contest of most reviled American city, recently replacing the New York City of the nineteen seventies as Middle America's impressively enduring idea of Hell. Having lived in both the rust belt necropolis and the Pacific pomopolis, I can attest that Los Angeles is Detroit through the looking glass, or in a phrase that went through my mind continually as I drove under endless ugly sodium lamps from freeway to freeway on first moving here, it's "Detroit with palm trees."

Now that New York has become a suburb of the suburbs (a line stolen from my dear paramour Jeremy Blake) it is left to Detroit and Los Angeles to battle it out for the honor of embodying America's fevered unconscious. Detroit and L.A. are each industry towns where citizens not involved in the main product are an afterthought, viewed primarily as seat warmers for the new Chevys or the latest giant Loews Cineplex, respectively. Culture is an afterthought in both towns, both are known for a subgenre of noir fiction, and both are emblems of sprawling urban nowheresvilles where no one can hear you scream.

And yet I find both places indescribably glamorous, inchoate and mysterious, endlessly strange and iterative, as if the street behind you is being covered over with some new fantasy by scene painters as you drive on. I'd go on to parse out the differences between the towns, but as I said, I suspect they are actually the same place, two sides of a coin palmed in the alternately icy and desert-hot hand of America, a future currency whose buying power is for strange new fast-moving forms and fantasies that are as yet undreamt of in the rest of the West...

A pro-Detroit city guide from the 70s as recently blogged at detroitblog, below:

America's ugliest city Detroit runs East St. Louis a close second. As America's unfriendliest city, Detroit has no peer. One reason for this is that no one in Detroit is outside for any length of time. They are always inside: inside a home, an office, a car. If you don't know people to start with and are not willing to put out the extra effort it takes to make friends in Detroit, chances are you still won't know people when you finally decide this is not the town for you. It is easier to meet Detroiters anywhere other than in Detroit. There's one standing in line next to you in every American Express office in the world. They drive past you on the San Jose Freeway, grinning, honking and pointing at their license plates. Why, Detroiters are some of the friendliest folks in the world. Unless you're stuck in Detroit.

Link: detroitblog .


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