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Worthy of Mention

  • Spoon -

    Spoon: Girls Can Tell
    This is a great, understated album that merits repeated plays. Spoon have made a literate, rocking, breakthrough record that occupies a funny place--the songs are not unconventional, per se, yet they're somehow really special. Girls Can Tell displays the emotional resonance and big rock power of, say, Thin Lizzy and Mott the Hoople; the sonically referential, indie-rock smarts of a band like Versus; and amazing hooks that recall Colin Blunstone of the Zombies. Like Jennyanykind, Moviola, and the Lilys, this Austin, Texas, trio has chosen to work on perfecting their craft without paying much heed to mainstream or trends. In spite of (but mostly because of) wrenching breakup-centered lyrical material delivered in a very real, matter-of-fact way, Girls Can Tell is one of those life-affirming pop albums you know you'll return to in years to come. --Mike McGonigal (*****)

Books

  • Michael Hardt: Multitude: War and Democracy in the Age of Empire

    Michael Hardt: Multitude: War and Democracy in the Age of Empire
    Empire (2000)—the surprise hit that made its term for U.S global hegemony stick and presciently set the agenda for post–9/11 political theory on the left—was written by this same somewhat unlikely duo: Hardt, an American political scientist at Duke University, and Negri, a former Italian parliament member and political exile, trained political scientist and sometime inmate of Rome's Rebibbia prison. This book follows up on Empire's promise of imagining a full-blown global democracy. Though the authors admit that they can't provide the final means for bringing that entity about (or the forms for maintaining it), the book is rich in ideas and agitational ends. The "multitude" is Hardt and Negri's term for the earth's six billion increasingly networked citizens, an enormous potential force for "the destruction of sovereignty in favor of democracy." The middle section on the nature of that multitude is bookended by two others. The first describes the situation in which the multitude finds itself: "permanent war." The last grounds demands for and historical precursors of global democracy. Written for activists to provide a solid goal (with digressions into history and theory) toward which protest actions might move, this timely book brings together myriad loose strands of far left thinking with clarity, measured reasoning and humor, major accomplishments in and of themselves. (****)

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Wednesday, February 22, 2006

The Minds That Shaped Los Angeles, Vol 4: Malibu Barbie, Living Rent-Free In The Mind's I

Malibu_barbie
Has any fantasy so soaked the earth, drenched it in its radiant golden sun and King waterbeds and navel oranges and satin-shorted Venice Boardwalk roller skaters as the fantasy of California in the late seventies (and their overflow into the early eighties)? Endless leggy big-titted blondes escorted to the Regal Beagle by Jack Tripper (so many casual lays that if placed end to end they would reach the moon); Mrs. Hart laughing as Mr. Hart tugs a cashmere sweater sleeve from the clenched jaws of lovable Freeway; Bo Derek oiled up in a suede bikini, riding a steed through the canyons of moneyed Malibu--these images are imprinted in your mind too, pressed in deep, where you can never rid yourself of them. California, no matter where you are reading this, infects you.

Which brings us to the first person I ever met from California, Malibu Barbie. What a looker she was, how exotic in her awesome L.A.-ness, what a welcome and unexpected presence in our dinky freezing farmhouse. I loved her pale blue one piece and her spun plastic, nearly white hair. And the chic bubble sunglasses that were sewn to her temples (though you could move them from the top of her head down to cover her eyes.) I would pay $300 bucks on eBay this minute if a human sized pair suddenly materialized there (1970s vintage, unscratched).

Haters can say whay they will about her moony Malibu beauty and her fan-fucking-tastic legs--how such things harmed the egos of brunettes and the shrimpy, how they later stuck fingers down throats in the dorms of Vassar in memory of her unrealistic ideal. Yes, Barbie is tacky, Barbie is unimaginative, she is unrealistic, but Barbie is us.

You had many educational toys, and you loved the wooden architectural blocks most. You had read more by age 12 than most people do in their life. But Malibu Barbie. You could never put her away for too long, never forget the drawer where she radiated uncomplicated sex and awesome American glamour and the promise of a California that didn't really exist, a naive child's mental Malibu that you still pay homage to in small former Michigander ways every day.

How could anyone intelligent still be so haunted by such a comical, brainless outline? Oh Malibu Barbie, our only crime was loving you.

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Comments

You're right to connect “the haunting” with Ebay. I think a solid 75% of activity on that site stems from the fact that everyone associates their childhood pleasures and traumas with significant objects of childhood desire (or possession, a la Rosebud). The remedy of rediscovery may now available within a few search queries, but what will still be missing should you buy those sunglasses will be a tantalizing, impossible-to-replicate combination of people and circumstances that would give that object its original value. As much as I’d like to plug the gaping hole in my life that came from my never having a remote-controlled R2D2, even if I were to track one down online I wouldn’t be able to play with it while my grandfather watches “The Price is Right” on his brown couch in San Diego. This sense of absence is worse than a phantom limb, since childhood is unrepeatable. Ok, not worse. A phantom limb is pretty bad.

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