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Worthy of Mention

  • Spoon -

    Spoon: Girls Can Tell
    This is a great, understated album that merits repeated plays. Spoon have made a literate, rocking, breakthrough record that occupies a funny place--the songs are not unconventional, per se, yet they're somehow really special. Girls Can Tell displays the emotional resonance and big rock power of, say, Thin Lizzy and Mott the Hoople; the sonically referential, indie-rock smarts of a band like Versus; and amazing hooks that recall Colin Blunstone of the Zombies. Like Jennyanykind, Moviola, and the Lilys, this Austin, Texas, trio has chosen to work on perfecting their craft without paying much heed to mainstream or trends. In spite of (but mostly because of) wrenching breakup-centered lyrical material delivered in a very real, matter-of-fact way, Girls Can Tell is one of those life-affirming pop albums you know you'll return to in years to come. --Mike McGonigal (*****)

Books

  • Michael Hardt: Multitude: War and Democracy in the Age of Empire

    Michael Hardt: Multitude: War and Democracy in the Age of Empire
    Empire (2000)—the surprise hit that made its term for U.S global hegemony stick and presciently set the agenda for post–9/11 political theory on the left—was written by this same somewhat unlikely duo: Hardt, an American political scientist at Duke University, and Negri, a former Italian parliament member and political exile, trained political scientist and sometime inmate of Rome's Rebibbia prison. This book follows up on Empire's promise of imagining a full-blown global democracy. Though the authors admit that they can't provide the final means for bringing that entity about (or the forms for maintaining it), the book is rich in ideas and agitational ends. The "multitude" is Hardt and Negri's term for the earth's six billion increasingly networked citizens, an enormous potential force for "the destruction of sovereignty in favor of democracy." The middle section on the nature of that multitude is bookended by two others. The first describes the situation in which the multitude finds itself: "permanent war." The last grounds demands for and historical precursors of global democracy. Written for activists to provide a solid goal (with digressions into history and theory) toward which protest actions might move, this timely book brings together myriad loose strands of far left thinking with clarity, measured reasoning and humor, major accomplishments in and of themselves. (****)

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Monday, December 25, 2006

Magic, Wonder, And Even Ghosts: Fanny And Alexander's Christmas

Fanny_and_alexanderWit recommends fellow Swede Ingmar Bergman's Fanny And Alexander for a post-prandial December 25th film rental.

"Certainly the first act, which takes places at a rather vulgar overnight Christmas party at the Ekdahl family residence, is somewhat adult in terms of content. Grandmothers grow old and mourn the passing of their youth, wives forgive the blatant infidelities of their cheery husbands, and ruminations take place on the relationship between the real world outside and the sheltered little world of the theater that belongs to the family, and to which the family belongs. But the narrative is deliberately and delicately filtered through the eyes of the titular children, who watch it all happen...

When Alexander retreats to a darkened bedroom at day’s end, he fires up a magic lantern and entertains the other children by projecting stories onto the blank wall. The smell of paraffin draws his parents into the room, and his father, Oscar, lingers, picking up an ordinary wooden chair and regaling the children with a fanciful story about its alleged origins in Imperial China. This scene, not included in the film’s theatrical version, is important because it gives away the game — it is echoed later in the film, from the mouth of another storyteller, in a way that clearly suggests the narrative has moved inside Alexander’s own mind, where it’s embellished with the presence of magic, wonder and even ghosts."

Link: Fanny and Alexander.

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