About

My Photo

In Memoriam

  • Memories of Theresa
  • Play Theresa Duncan's Video Games Free Online
    Rhizome has preserved Theresa Duncan's visionary video games and they are now available to be played for free at http://archive.rhizome.org/theresa-duncan-cdroms/
  • Chop Suey
    "Developed in 1994 and published the following year, Chop Suey was a cunning piece of multimedia edutainment, suited just as well to grown-ups — smirking hipsters and punk rockers, probably — as it was to the prescribed “girls 7 to 12” crowd. But it wasn’t a computer game. It was something else: a loosely-strung system of vignettes; a psychedelic exercise in “let’s-pretend”; a daydream in which the mundanity of small town Ohio collides with the interior lives of its two young protagonists." Jenn Frank
  • Smarty
    Smarty was Theresa's second award winning video. This is a film version used to demonstrate the game for potential distributors. Art direction by Jeremy Blake
  • Theresa Duncan's The History of Glamour
    The History of Glamour “In the film, the main character is looking for an identity, and glamour becomes for her a potent form of self-expression. She finds it very liberating, because she’s from a small town. But by the end of the story, glamour becomes limiting, then imprisoning, so she becomes a writer, chooses grammar over glamour.” Theresa Duncan on The History of Glamour in Salon. ~ The History of Glamour, is a music-based animated film, it aired at The New York Video Festival, The Women Make Waves International Women's Film Festival, The Rotterdam International Film Festival, The Montreal Film Festival, the Channel Hopping Festival in Austria and was selected for inclusion in The Whitney Biennial 2000. Glamour also aired on Channel 4 in the UK, on Canal + in France, and in Japan. * ~Writer and Director Theresa Duncan; Art Director Jeremy Blake; Art work by Jeremy Blake and Karen Kilimnick; animation by Eric Dyer.
  • Memorial Film
    This film was shown at a memorial for Theresa in New York, December 2007. A special thanks to Wilbur King for the use of clips from his film “Charlotte Goes Swimming” and Raymond Doherty, editor.
  • In a Land of 90's Barbieland Wreckage Chop Suey Got Everything Right
  • Memories Of Theresa Tumblr
  • The Lovely Theresa by Baron Von Luxxury
  • Eric Dyer

Worthy of Mention

  • Spoon -

    Spoon: Girls Can Tell
    This is a great, understated album that merits repeated plays. Spoon have made a literate, rocking, breakthrough record that occupies a funny place--the songs are not unconventional, per se, yet they're somehow really special. Girls Can Tell displays the emotional resonance and big rock power of, say, Thin Lizzy and Mott the Hoople; the sonically referential, indie-rock smarts of a band like Versus; and amazing hooks that recall Colin Blunstone of the Zombies. Like Jennyanykind, Moviola, and the Lilys, this Austin, Texas, trio has chosen to work on perfecting their craft without paying much heed to mainstream or trends. In spite of (but mostly because of) wrenching breakup-centered lyrical material delivered in a very real, matter-of-fact way, Girls Can Tell is one of those life-affirming pop albums you know you'll return to in years to come. --Mike McGonigal (*****)

Books

  • Michael Hardt: Multitude: War and Democracy in the Age of Empire

    Michael Hardt: Multitude: War and Democracy in the Age of Empire
    Empire (2000)—the surprise hit that made its term for U.S global hegemony stick and presciently set the agenda for post–9/11 political theory on the left—was written by this same somewhat unlikely duo: Hardt, an American political scientist at Duke University, and Negri, a former Italian parliament member and political exile, trained political scientist and sometime inmate of Rome's Rebibbia prison. This book follows up on Empire's promise of imagining a full-blown global democracy. Though the authors admit that they can't provide the final means for bringing that entity about (or the forms for maintaining it), the book is rich in ideas and agitational ends. The "multitude" is Hardt and Negri's term for the earth's six billion increasingly networked citizens, an enormous potential force for "the destruction of sovereignty in favor of democracy." The middle section on the nature of that multitude is bookended by two others. The first describes the situation in which the multitude finds itself: "permanent war." The last grounds demands for and historical precursors of global democracy. Written for activists to provide a solid goal (with digressions into history and theory) toward which protest actions might move, this timely book brings together myriad loose strands of far left thinking with clarity, measured reasoning and humor, major accomplishments in and of themselves. (****)

« Oh, Good Morning | Main | Best Ever Kate Moss Photo Set »

Saturday, May 19, 2007

Sicko! (Give 'Em Hell Harvey!)

1064_nurse_filling_syringeHarvey Weinstein says the United States is trying to seize Michael Moore's new film on the U.S. Healthcare industry. Entitled Sicko, the film is premiering at Cannes this week.

"According to Weinstein, the US Treasury's moves meant 'we had to fly the movie to another country'- he would not say to where. 'Let the secret service find that out - though this is the same country that thought there were weapons of mass destruction, so they'll never find it.' He added that he feared that if the film were impounded, there might be attempts to cut some footage, in particular the last 20 minutes, which related to a trip to Cuba. This, said Weinstein, 'would not be good.'

In March, Moore travelled to the Caribbean island with a group of emergency workers from New York's Ground Zero to see whether they would receive better care under the Castro regime than they had under George Bush. He had applied for permission to travel in October 2006 and received no reply.

In a letter dated May 2, the treasury department notified Moore that it was investigating him for unlicensed travel to Cuba, or, as the missive put it, engaging in 'travel-related transactions involving Cuba'."

Link: US government trying to seize new Michael Moore film, says producer | Features | Guardian Unlimited Film.

Saturday, May 19, 2007 in Film |

Comments

Alison Tuck

At Cannes,today, Mike Moore asks the question, "Why did you guys let him?" He was referring to the Australian public "letting" Prime Minister John Howard back Bush in the coalition to Iraq.

(Yes I know this is not directly related to your post. However.)

This stupid question, though completely noteworthy and justified, makes no acknowledgement whatsoever to the HUGE protest against the decision this dickhead leader made on our behalf. It's ignorant and arrogant and I'm disappointed to be met once again with that, from a Yank I like.

It makes no reference to the Labor (left) Opposition leader's comments at the time, that John Howard was one in a long congo line of "ARSELICKERS" to Washington.

A more intelligent question would be, "Why does a country of 20 million people, in a land mass the size of the U.S. continue to be dominated and intimidated by the American and British governments?"

Or this: "Why is it that after an odd 200 years of white presence, and 40,000 years of black, does Australia still see fit to allow domination by a country who continues to bully everyone on the planet, including it's "allies"?

Why do American governments never stop throwing their weight around?

Having said that, it's a good point, and I agree this country's leader should have done what Canada's did. This is a young, old country.

One really has to know a whole lot more about it's history and it's current and past underground voices to make a comment like that. Obviously, Mike Moore doesn't.

Posted by: Alison Tuck | Wednesday, May 23, 2007 at 06:42 AM

The comments to this entry are closed.